Syed Misbah ul Islam Andrabi

  The concept of the male gaze has been a prominent topic of discussion in feminist theory, media studies, and cultural studies for several decades. Coined by feminist film theorist Laura Mulvey in her influential 1975 essay "Visual Pleasure and Narrative Cinema," the male gaze refers to the way in which visual media perpetuates and reinforces a patriarchal perspective that objectifies and sexualizes women. I, the male gaze is often more complex and insidious than it may initially appear, as it can take on various forms and be disguised in a variety of ways.  Y   One particularly intriguing phenomenon related to the male gaze is the masquerade of the male gaze. This refers to instances in which the male gaze is obscured or hidden behind a facade, making it more difficult to detect and critique. For example, in media texts that appear to cater to a female audience, such as romantic comedies or reality television shows targeted at women, the male gaze may st...

In the Name of Art, The representation of Tawaifs in Bollywood and their association with prostitution have been a matter of concern due to the potentially exploitive nature of such portrayals. Bollywood films are known for their captivating aesthetics, featuring colorful costumes, extravagant dance sequences, and beautiful locales that evoke a sense of awe among viewers. However, while these visual elements may be visually appealing, they often overshadow the harsh realities of society, such as issues like prostitution. One of the most common portrayals of prostitution in Bollywood cinema is that of the tawaif, or courtesan. The tawaif is typically depicted as a glamorous and seductive woman, often with a heart of gold, who is forced into the profession due to circumstances beyond her control. Despite the tragic nature of her situation, the tawaif is often glamorized in these films, with her life of luxury and romance overshadowing the darker aspects of her profession. In r...